Seinfeld and Fallon and the Art of Standup

Last night I watched Jerry Seinfeld and Jimmy Fallon on the "Tonight Show". Turns out Jerry has kept track of every Standup Routine he's ever written. I guess they have them in the computer-- and are included in a Netflix Special on Jerry-- which I will check out. 

The weird thing... they played a game where the computer brought up a random Jerry Routine from the thousands. As soon as Jerry saw the name, like "Pizza Hut" he recalled the routine in pretty good detail. He would do it, using a teleprompter, and hit his marks almost perfectly. 

Jimmy Fallon would do Seinfeld routines, imitating Jerry, using the Teleprompter also. Fallon did a very good job recreating Seinfeld. I saw some similarities in the two men. They truly enjoy entertaining. They are not comfortable with insult humor, profanity or going political. Coincidentally I heard Fallon interviewed by Terry Gross on NPR radio. He came across as a compassionate person, but basically easygoing. I tend to like sharper comics-- like David Letterman.

... I always liked comedians. I remember when a comedian came on TV back in the Sixties, I would feel my heart relax, like I respected the effort the funny man was putting forth and the comedian's mere existence made me feel safer, like the world was a better place. Sometimes I would find myself laughing out loud watching the show, and I was a very careful, self-protective kid. I would think to myself "Wow, John, not like you to laugh harder than other family members in this public setting. You must really like this stuff." So, there you have it-- my admiration for comedians goes way back. I like the way they violate norms and discuss the awkward issues that society hasn't figured out yet.

Stephen Colbert: healing a pained nation

The talk show host serves the role of an electronic shaman, a healer of society’s wounds, using a gentle nature and the toolkit of comedy, full of pun, metaphor and sleight-of-hand wordplay. He (almost always a male) brings up the painful issues while adding salve to these raw areas. He makes sense of sensitive subjects not yet suitable for polite discussion and not fully understood or absorbed.

The starting point for my understanding of the talk show host came from a single source: 

1) a single passage by Camille Paglia in Sexual Personae

Camille Paglia speaks of “a category of androgyne, the nurturant male or male mother. He can be found in sculptures of the river gods, in Romantic poetry ((Wordsworth and Keats) and in modern popular culture (television talk show hosts).”

Paglia’s discussion moves to the transsexual qualities of the Delphic oracle and the mixture of male and female voices in the prophesying of the Oracle of Delphi. The medium assumes multiple personalities much like the “ventriloquism Frazer ascribes to entranced shamans.” (Sexual Personae, p. 46) 

The phrase “nurturant male” offers a dazzling insight into the funny men in control of the late night airwaves. The late night host is a different kind of comic, more gentle in spirit and supportive by nature than the aggressive standup with the take-no-prisoners mentality. 

In recent months Stephen Colbert has played the role of healer in the era of Trump. Donald Trump does not have a serious political rival from the Democratic party. Bernie Sanders plays a leadership role from the left, but Trump's true adversaries are the comedians. Alec Baldwin, playing Trump on SNL, played a significant role in the political dialogue with his brilliant mockery of Trump's hair, mannerisms, speech, narcissistic demeanor, and all-around bluster. Baldwin could not don (pun) the Don Trump wig forever. The job fell to Stephen Colbert to take the Trump bull by the horns. Colbert would wrestle the bull downward using the comedian's toolkit.

Colbert earned his stripes with Jon Stewart Daily Show and on the Colbert Report playing his Bill O'Reilly sendup, a faux conservative done totally tongue-in-cheek. As Tonight Show host, Colbert could emerge as the real Colbert, closer to his personal beliefs and a more nurturant male. He has used the opening monologues and his comedic talents to calm some of the nation's angst. Colbert, as late night shaman, offers a enlightened man's sensibilities as a contrast to harsh worldview of Donald Trump. Colbert's rise in the rankings proves the talk show host remains relevant, perhaps now more than ever-- in our totally electrified universe. Trump tweets all day and Colbert answers at night.

TV Guide 2/6/60-- Globalism Begins

Richard Boone, star of Have Gun, Will Travel, appears on the cover of the February 6, 1960 issue of TV Guide but the words on the cover implore readers to "Name Your Favorite Stars and Shows." The cover also directs reader to page 5 of the pint-sized magazine-- for accessing the TV Guide Awards Nominating Ballot. Turn to page 5, and there are 7 categories--

1) Favorite half-hour series
2) Favorite one-hour-or-longer series
3) Best single dramatic program
4) Best single musical or variety program
5) Best news or information program
6) Most popular male personality
7) Most popular female personality

Readers are asked to cut along the dotted line and mail their choices to a TV Guide post office box in Philadelphia.

And so began the electronic age where the audience participates in a very active way in the creative process. Today things are easier; we can text our votes for winners on American Idol.

Read Marshall McLuhan, the media philosopher, to sate any curiosity about the notion of electronic media as participatory. And watch yourself studying the contents of your cellphone and pressing the buttons for confirmation of McLuhan's insights.

The magazine's first article, "Lions Can't Lose and They Hate Lucy," appears just after the nominations ballot and highlights the international flavor of television. Saudi Arabia had a major problem with I Love Lucy as the strong-willed Lucille Ball was perceived by the Saudis, perhaps correctly, as dominating husband Desi Arnaz. I Love Lucy was forbidden in Saudi Arabia.

The article mentions several other nations. The Japanese were comfortable with post-WW II shows like Air Power, Navy Log depicting the Japanese defeat in World War II but a Japanese sponsor didn't like nature shows showing a lion being shot, reason being the Japanese sponsor "Dr. Lion's Tooth Paste" preferred not to see the lion defeated in any form or fashion. Fulgencio Batista, the Cuban dictator rejected Gunsmoke for the Cuban audience, as the dictator feared the show's gun play might encourage a revolution. And American television companies rejected Spain's currency, the peseta, as payment for television product. They wanted dollars.  The more things change...

Richard Boone had praise for directors of series Westerns, including a guy named Gene Rodenberry, though cowboy shows were considered inferior to the high art dramatic shows of the time, including Playhouse 90. Here's Boone's comment:

"There's a kind of snobbery," says Boone, "in live TV that carries with it the implication of pure art. Why? I don't know. All I know is that as far as I'm concerned Have Gun is better produced, better written and better directed than-- that thing."

Seems to me, Boone won that argument. Live TV dramas leave something to be desired and have largely fallen by the wayside.

Jack Paar's show was going strong every evening at 11:00 PM airtime in Austin, Texas. Jack's guests that week included Phyllis Dyller, Charley Weaver, and "singer Florence Henderson of the Today  show." Steve Allen had a program on the schedule for Monday night, 9:00 PM, showing the Tonight Show host had already shifted from Steve Allen to Jack Paar.

And ABC's Friday night Boxing featured Emile Griffith in a welterweight bout against Gaspar Ortega from Tijuana, Mexico. "This is the TV debut of Griffith, 1958 National Golden Gloves champion." A little more than a year later Emile Griffith fought and killed Benny "Kid" Paret in a controversial match that led to the cancellation of the ABC's boxing program.

Boxing popularity on television has fallen off since those early days of the medium, mainly become a niche sport, and McLuhan explained that a hot war, like Vietnam, does not work well with a cool medium like television. We participate, interact intimately with the TV flow of electrons. Such intimacy makes war, and possibly a boxing match, too hot for handling by our central nervous system.