Donald Trump, former host of a reality television show, became president and turned the nation and the world into a reality television show-- complete with cliff-hangers, constant conflict and a barrage of insults for friends and foe alike. Trump TV engages us all. Marshall McLuhan died in 1980 but anticipated correctly our present state of connectedness. His comments below, powerful and challenging, are tour de force McLuhan... every sentence contains a Master's thesis.
The End of the Work Ethic
(an address by Marshall McLuhan to the Empire Club of Canada)
Living
electronically, where the effects come before the causes, is a rather graphic
and vivid way of explaining why distant goals and objectives are somewhat
meaningless to “neuronic” man. Electronic man, that is, works is a world where
electronic services are an expansion of an environmental form, of his own
nervous system. To such a man is it meaningless to say that he should seek or
pursue distant goals and objectives, since all the satisfactions and objectives
are already present to him. This explains the mystery of why preliterate and
acoustic peoples appear to us to be so deeply satisfied with such shallow
resources and means of existence. Acoustic man, living in a simultaneous
environment of electric information, is suddenly disillusioned by the ideal of
moreness, whether it be more goods or more people or more security or more
fame. Acoustic, or electronic man, understands instantly that the nature and
limits of human satisfactions, forbid any increase of happiness through an
increase of power or wealth. Acoustic man naturally “plays it by ear” and
leaves harmoniously and musically and melodiously. Ecology is only another name
for this acoustic simultaneity and sudden responsibility for creating
ecological environments pressed very suddenly upon Western man on October 17th,
1959. That was the day when Sputnik went into orbit, putting this planet inside
a man-made environment for the first time. As soon as the planet went inside a
man-made environment, the occupants of the planet began to hum and sing the
ecological theme song without any further prompting.
When the
planet was suddenly enveloped by a man-made artifact, “Nature” flipped into art
form. The moment of Sputnik was the moment of creating Spaceship Earth and/or
the global theatre. Shakespeare at the Globe had seen all the world as a stage,
but with Sputnik, the world literally became a global theatre with no more
audiences, only actors.
from Marshall
McLuhan essays:
media research
technology,
art, communication
—edited
with commentary by Michel A. Moos
1980, 1997